My best memories of enjoying the Verve's third and most well known album was working an overnight master control shift for a couple months at a TV station. Once the network shows were finished and there was nothing but infomercials on the air until your relief showed up in the morning, I'd put this in the audio board, crank it through the background speakers and enjoy this album more and more with repeated listens. Sometimes it would get me pumped to get through the night, other times I'd stare at the floor and listen to Nick McCabe's guitars swirl around while Richard Ashcroft sang about velvet mornings and weeping willows, like a ghost of Mick Jagger who lost his ability to sing the blues in the afterlife, somewhere in the corner of the room."I'm A Million Different People From One Day To The Next" ~ "Bittersweet Symphony"
I think the best time to listen to "Urban Hymns" is about 50 minutes before dawn on a clear late spring night. The sky is just starting to show it's first glimpses of color in the air, pinks and puples, the air is still cool and crisp with dew on the grass, and the opening strings of "Bittersweet Symphony" begin to fill the air. As Richard Ashcroft sings "Try to make ends meet, try to find some money, then you die" you're reminded the struggles of getting through everyday life in this fantastic anthem, regardless if they sampled a Rolling Stones muzak version of the Last Time. "I'm Standing Naked, Smiling, I Feel No Disgrace... " ~ "Lucky Man"
But if this album, and the band for that matter, are remembered for Bittersweet Symphony, the general public missed out on a slew of wonders on the rest of the album. "Sonnet" and "Lucky Man" were staunch singles that use waves of strings to build to fantastic climaxes. The former reminding "There's love if you want it" the latter proclaiming "I'm a lucky man, with fire in my hand."
"In My Lucid Dreams" ~ "Catching The Butterfly"
Looking for something a little more trippy? Try "Catching The Butterfly" where guitarist Nick McCabe uses walls of washed guitar sounds competing with a funky bass line from Simon Jones. Or just flat out space rock where "The Rolling People" tumbles along like a lost Led Zeppelin track with Ashcroft proclaiming "But here we are the Rolling People, can't stay for long, we gotta go."
"All This Talk Of Getting Old, It's Getting Me Down My Love" ~ "The Drugs Don't Work"
Amongst all the touches of psychedelia, the most touching moment is the ballad "The Drugs Don't Work". With a beautiful string section and sly guitar work, Ashcroft sings of how "The Drugs Don't Work, they just make you worse but I, know I'll see your face again." I've taken the song down two streets. One: Someone overcoming addiction and Two: Someone fighting a terminal illness. Either, or, it's a thing of beauty.
"I Talked To God In A Phonebox On My Way Home" ~ "Come On"
If the first twelve songs take you through the stages of early dawn, then the 13th is when the sun bursts into the sky. "Come On" is an all out rocker with blistering guitars and the moving chorus "Let the spirit move you, let the waves come up they'll fuse you, I never meant no one to deny a sound." A nice finale to put you to bed.
"One Day Maybe We Will Dance Again, Under Fiery Skies" ~ "One Day"
The album has held up since it's release in 1997 and may not get the same credentials as say, "O.K. Computer" by Radiohead, but it does deserve it. If "O.K. Computer" hit the go ahead home run in the eighth inning in 1997, then "Urban Hymns" caught the game winning line drive with bases loaded to end the game in the ninth.
















